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The DUTCH is definitely the best of the two.

It might if you have pedals with poor or no buffers.

Its does have midi btw, its just not published in the manual.

Excellent playing and review as always Michael, do you think me having the Friedman BE 100 Deluxe will cover most of what this JEL-20 can do? I want to get one, but my concern is the BE Deluxe has this covered for the most part.

Great demo! I had the standard Seventy4, then bought the deluxe. Love the standard, but I gotta say, the lower gain green channel on the Deluxe is amazing. Lawrence should release a single pedal based on the green mode on the deluxe. It’s so dynamic. Feels so good under the fingers.

Thanks for this interesting test. Guitarists can now try all these KLOTZ guitar cables and more with the new KLOTZ 5 in 1 Guitar Cable Test Loom at their local music retailer to find the best KLOTZ cable to suit their individual sound. It bundles our bestsellers LaGrange, TITANIUM, JoeBonamassa, ProArtist and KIK in an ultimate test loom that allows for a comparison of different cable designs and their respective capacities (pF/m, pF/ft). Ask your dealer for the KLOTZ 5 in 1 Test Loom, the perfect aid for every guitarist in search of the ideal cable. 🍀

Try the Evidence Audio Lyric HG cables man

Just one song transcribed?!

like the commentary...nice hair day

my fav part is when you show the installation with just the 1210 and the 2290 then I realize that cost more than my first car

Nice comparison! I dig Evidence Audio for studio cables, solid not stranded for reduced skin effect. Solid conductors even make a huge difference with power cords, Tony at Evidence told me to test the theory using Romex 12awg and marine grade or hospital grade plugs and I could not believe the difference my amp sounded,even more difference than guitar cable.

The delay also has a looper function and also if you hold the switch down you can control the delay effect trails.

Dimension d all the way now I just gotta find money

aca en ARGENTINA el unico q lo uso fue la banda RIFF, de PAPPO napolitano y BOFF serafine, usaban un amplificador con 2 cajas en estereo cada uno y en vivo los usaban practicamente al maximo lo cual hacia un sonido espectacular y aplastante, una practica comun de esa banda, ya q ue se habian cansado de torturar equipos MARSHALL al maximo volumen, ese era su manera de tocar en vivo

I don’t want to buy more things guy

Man, when my Mogami broke I suffered for a month until I realized it was under warranty. Really opened my eyes to the importance of quality cables. Needless to say, I exchanged my cable and got my tone back.

Any reports out there on how this it working with Logic Pro/REAPER, etc???

What would have been great is a comparison to the UTA Cable… cheers 🐺

You showed the proper neck screws they sent. How did you install 2 wrong ones?!?!?

Amazing piece of hardware

Thank for this, great explaining and test 👏🎸🙏

I have been using the JoeB signature cable for the past 10 years and it’s just „perfect“ for me. Initially bought it because of the smaller less obtrusive plug they use on it, but the sound is just great

I wonder how my NUX B-8 setup would compare? I might be playing through a wireless stinker. 🤔

Genuinely surprised at the difference .... though telling myself, would it matter in a mix ? Also it would be interesting to hear a few wireless systems tested the same way as this, and maybe against a variety of cables too ..... Now you need to replace all your patch cables with the high quality stuff too .... I always mocked the yngwie malmsteen cable , even his plecs are £2 GBP each for a dumb signature, but maybe theres something to the cable quality afterall

Next up pedal patch cables

Pedal that you talked about: Euna 29 pedals , this was a cool video!!!

I bought a Klotz Joe Bonamassa nearly 14/15 years ago and i use it on almost every gig (at least 1 a week) and its never failed me and its my favourite cable. 👍🏼

"kemper slayer 2" -shirley's revenge

I've never seen that skinny instrument cable that you're using before. What brand is that?

Have a Renown .still use it.powerful and professial!!!

The Bonomasa sounded best to me. I think i could hear the character of the guitar the best. Its like the wood comes through best through that one. Hmmm maybe ill try one. 🤔

Klotz Titanium and La Grange have been my only cables for more than a decade and I wouldn't change 'em for any other! great video as always, Michael!

Should try Mogami, I definitely hear the difference with them!

So this or bogner ectasy for me🥰

great way to start an argument amongst guitarists....

Ah jeez more accessories ok then. Why not a Klotz then I like the name, sounds funny. Can you let us know what your recording console is? I'm about to build one and have been modeling a few for ideas. Yours looks sleek and accessible.

Ah marketing… motherfuckers…

It's basically what many of us always wanted a Super Lead to sound like but marshall refused to build.I would play one of these .

Don't watch the clock; do what it does. Keep going. - Sam Levenson

Death Valley Cables, ( currently on hiatus ) unbeatable build quality. Divine Noise another product where the builder takes care in the product, Klotz make exceptional Head to Cabinet speaker cables, Free the Tone patch cable and ends. Your cables can be a blessing or a burden in my experience, If your purchasing $$$ stomp boxes $$$ power solutions for your pedal board unless your routing solutions aren't up to a standard your initial stages of your recorded tone won't be so don't rip your self off.

I have a selection nice cables (OG Colossal, OG Lava, DIY Belden 9778, Belden 8412, Mogami Gold and DIY Mogami) and sometimes the fatness of my old Lava retro-coil cable just sounds best with all that capacitance. After I bought a bunch of Monster Rock cables and discovered they were the tonal problem in my setup, I have been a cable nerd 🤓ever since.

I kind of knew that but am still surprised. Good one Michael!

Maybe you'd like better the red cable with other guitar. Or a bass

I use Mogami cables…yes, good cables make a difference.

The capacitance per meter (and hence also the length) makes a huge difference in brightness and body. Apart from that, the reliability of the connectors and interference shielding are important live, but hard to qualify. Not a cable snob either, but I do check the capacitance carefully and if it has connectors with some strain relief moulding that look that they can take some abuse. Then again, Hendrix had long runs of shitty cable and no problem getting the point across...

differences in capacitance explain pretty much all of the differences, which can be huge. would have been more helpful to frame the test with some basic technical knowledge.

Feel like trying speaker cables next? It makes a difference when you are running your big amps hot into a loadbox. The Vovox excelsus drive won it for me vs a budget cable with a 100W Marshall, but I don't know how other 'premium' speaker cables compare, or how differences may depend on the amp / amp's wattage..

This is video people need to see and hear. Great idea for a video and love the insight. Thank you! Guess I need a new cable.

You don’t want low capacitance cable. Dave Friedman and I talked about this like 15 years ago and how it’s horrible. Brittle bright. I forget the cable name back then which was all popular and super expensive which Dave and I hated. Contrary to most who bought into the hype. I’m not best friends with Dave, lol. But we know each other from a long time ago. Mogami for guitar cable and at least 20 feet. I think John Suhr also said that. The bonamassa sounded the best from here.

AMYOC: always make your own cables. Redco audio is your friend. Ten foot Mogami 2524 with Amphenol or Neutrik connects is about $20 in materials. I can solder up 8-10 full guitar cables in an hour. Mogami 10 footer from GC is like $75. You do the math on how much per hour they charge to do seriously brain dead soldering.